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Jen Rowe's avatar

Hi Katy - Thank you for this. I don't think this is talked about enough.

As a fellow double-decader, this is all very true - I massively agree with 'find another creative outlet' - preferably before this type of thing happens, because I've seen it so often that people fall down the rabbit hole of joy and then throw themselves into ALL OF IT. And ALL OF IT can be TOO MUCH OF IT.

Having a few different outlets feeds nicely back into your performance, and having all your eggs in one basket is risky. I eye-rolled at your group's excuse - that you were doing shows with other people. Even if that meant you weren't able to commit as much time to them, if groups start clipping people's improv wings (unless perhaps they're paying wages), they'll fly away, anyway.

Secondly, and more controversially I suppose, people SOMETIMES need to acknowldege that if they've been asked to leave groups a few times, THEY might want to consider taking time to look objectively at THEIR improv, THEIR behaviour, or ask the uncomfortable question: why?

I've known a few groups over the years who've needed to ask people to leave but it's HORRIBLE for everyone. The group may have thought they'd made their expectations clear, but the leaver may not have heard or understood them. (And being told 'you need to brush up your X skills, is a lot easier to stomach than: 'you never take direction', or 'you undermine other performers', because the latter two can be taken as personal criticism).

My advice for groups is to always try to have clear ground rules and expectations from the off, because then you can highlight them if things go awry. But even with groups established over a decade or more, there are still occasions where it goes wrong - because people are complicated and unique and unexpected and every other adjective.

So, thanks again for this. It's thorny and I've written too much (sorry).

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Jasmine ttttowers's avatar

What a beautiful post, Katy! Thank you!! :)

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